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	<description>High School Senior Photography</description>
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		<title>Photo74</title>
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		<pubDate>Tue, 09 Apr 2013 01:12:51 +0000</pubDate>
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		<title>Photo67</title>
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		<pubDate>Tue, 09 Apr 2013 01:09:44 +0000</pubDate>
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		<title>Photo54</title>
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		<pubDate>Fri, 05 Apr 2013 03:50:59 +0000</pubDate>
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		<title>Photo52</title>
		<link>http://danaltickphoto.com/archives/gallery/photo52-2</link>
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		<pubDate>Wed, 03 Apr 2013 02:23:58 +0000</pubDate>
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		<title>Photo46</title>
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		<pubDate>Tue, 02 Apr 2013 02:53:07 +0000</pubDate>
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		<title>Photo35</title>
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		<pubDate>Mon, 01 Apr 2013 02:53:54 +0000</pubDate>
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		<title>Photo44</title>
		<link>http://danaltickphoto.com/archives/gallery/photo44-2</link>
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		<pubDate>Mon, 01 Apr 2013 02:42:07 +0000</pubDate>
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		<title>If You Don&#8217;t Look Beautiful, It&#8217;s Free</title>
		<link>http://danaltickphoto.com/archives/2965</link>
		<comments>http://danaltickphoto.com/archives/2965#comments</comments>
		<pubDate>Sun, 24 Mar 2013 18:25:27 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Blog]]></category>

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		<description><![CDATA[So what makes a professional portrait worth more than a photo from a new camera owner or soccer mom?  The difference is in the look of the portrait.  A professional photographer spends years studying lighting, posing, composition, and style to bring out the best qualities and make even an average [...]]]></description>
				<content:encoded><![CDATA[<p><img class="alignleft  wp-image-1567" title="altick_111125_0120_1" src="http://danaltickphoto.com/wp-content/uploads/2011/11/altick_111125_0120_1-600x900.jpg" alt="" width="216" height="324" />So what makes a professional portrait worth more than a photo from a new camera owner or soccer mom?  The difference is in the look of the portrait.  A professional photographer spends years studying lighting, posing, composition, and style to bring out the best qualities and make even an average person look <em>amazing</em>.  The difference between a professional portrait and a camera owner’s photo is like the difference between a fine piece of hand-crafted jewelry and a machine-made necklace or bracelet you might find at a mall kiosk.  With the former you are assured of quality, style, and lasting value; the latter is just something to wear because it&#8217;s inexpensive and it really doesn&#8217;t matter.</p>
<p>A professional portrait is something you will feel good about giving to your family and friends and will be valued more and more as the years pass.  It is a true investment in one&#8217;s memories for generations to come. A camera owner’s portrait is just a road map of the human face; a snapshot that will likely go where all other snapshots have gone before. Take a look at the profile pics on Facebook. It’s pretty easy to tell whether a senior went to a quality studio or tried taking a chance and found it to be a big mistake. While times may change, value does not. Art will always be art, digital or not. I often ask young senior girls, “How much is a portrait worth that makes you look fat?”  They will quickly respond, “Don’t even show me a portrait I look fat in!”  Exactly! If you don’t look beautiful in your senior portraits, it doesn&#8217;t matter how much you saved because it’s still money wasted. That’s why we offer a money-back guarantee on our sessions. If you don&#8217;t look beautiful, it’s free!</p>
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		<title>A &#8220;Little&#8221; about Makeup</title>
		<link>http://danaltickphoto.com/archives/1344</link>
		<comments>http://danaltickphoto.com/archives/1344#comments</comments>
		<pubDate>Thu, 14 Mar 2013 21:35:38 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Blog]]></category>

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		<description><![CDATA[Most girls by the time they become high school seniors have established their own unique style and look when it comes to applying makeup, and that&#8217;s great!  We all want and need our individuality.  However, when it comes to portraiture a little really does go a long way.  So let&#8217;s [...]]]></description>
				<content:encoded><![CDATA[<p><img class="size-medium wp-image-1427  alignleft" title="altick_111125_0067" src="http://danaltickphoto.com/wp-content/uploads/2011/11/altick_111125_0067-200x300.jpg" alt="" width="200" height="300" /></p>
<p>Most girls by the time they become high school seniors have established their own unique style and look when it comes to applying makeup, and that&#8217;s great!  We all want and need our individuality.  However, when it comes to portraiture a little really does go a long way.  So let&#8217;s talk about this for a moment.  Makeup does two important things.  First, it draws attention to the woman&#8217;s eyes.  Second, it adds vibrance and color to a woman&#8217;s face. The lips and cheeks will always photograph better with a little color added and the eyes are always going to standout better with a little mascara.  Notice I keep using the word <em>little</em>.  That&#8217;s because photography tends to accentuate detail and color in a portrait and it&#8217;s even more pronounced now with digital.  What may actually look natural in real life can appear over-done in a portrait.  While eye-liner can draw attention to the eyes in real life, it can actually make the eyes look smaller in a photograph, and that&#8217;s the last thing we want to do because we want to not only draw the viewer&#8217;s attention to the eyes, but <em>into</em> the eyes.  The eyes are the windows to our individuality and our essence. We want to do everything we can to make the eyes look big and bring out their natural color.  I spend quite a bit of time and effort on lighting and retouching to do just that. So remember, it&#8217;s important to have a good foundation, albeit it with no demarcation lines between the neck and cheek, and a little cheek blush and eye shadow for that added color, but be very careful and keep in mind that less truly is more in a portrait.  I actually add a little extra eye-liner, blush, and mascara in nearly every retouch I do.  I can control exactly how much I need to add, but trying to take away is whole different story that can take quite a bit of time and will never quite look the same as if it had been done right in camera.  So by all means, keep your own unique style, but be conservative, and instead let me accentuate your inner beauty and individuality with my lighting and retouching.</p>
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		<title>How to Improve Your Outdoor Portraits</title>
		<link>http://danaltickphoto.com/archives/672</link>
		<comments>http://danaltickphoto.com/archives/672#comments</comments>
		<pubDate>Fri, 01 Mar 2013 22:33:53 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Blog]]></category>

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		<description><![CDATA[I’m so surprised to find how many so-called professional photographers don’t know how to take a good outdoor portrait.  First, without good lighting, no matter how good the pose and composition, it’s going to look like a snapshot taken by your Mom or best friend.  There’s a reason “photography” comes from [...]]]></description>
				<content:encoded><![CDATA[<p><img class="alignleft  wp-image-2815" title="Jack Wright junior portraits" src="http://danaltickphoto.com/wp-content/uploads/2012/09/altick_120908_19421-600x900.jpg" alt="" width="227" height="340" /><img class="alignleft  wp-image-2763" title="altick_120901_1852" src="http://danaltickphoto.com/wp-content/uploads/2012/09/altick_120901_1852-600x900.jpg" alt="" width="227" height="340" /><br />
I’m so surprised to find how many <em>so-called</em> professional photographers don’t know how to take a good outdoor portrait.  First, without good lighting, no matter how good the pose and composition, it’s going to look like a snapshot taken by your Mom or best friend.  There’s a reason “photography” comes from the Greek word meaning “to draw with light”.  Light is the essence of a quality portrait; for without it, <img class="alignright size-medium wp-image-1242" title="altick_110507_8904" src="http://danaltickphoto.com/wp-content/uploads/2011/06/altick_110507_8904_mstr1-200x300.jpg" alt="" width="200" height="300" />there would be nothing but a black image.  Light is to a photographer what paint is to a painter.  Did you know a sunny day at noon is the absolute worst time to take a portrait.  The mid-day sun creates harsh shadows under the eyes and neck, and the high contrast makes your <img class="alignleft size-large wp-image-697" title="altick_110417_8567" src="http://danaltickphoto.com/wp-content/uploads/2011/08/altick_110417_8567-600x400.jpg" alt="" width="349" height="233" /> skin and clothing look very harsh with the highlights blown to white and the shadows clipped to black.  Shooting in the shade makes for flat lighting with no dimension, while shooting in the open on a cloudy day creates raccoon eyes.  So how then do you get it right?  The answer’s actually quite simple: use reflectors.  I have assistants hold the reflectors to create the right pattern on the face, remove the dark shadows under the eyes, and put those catch lights in the eyes so critical to a beautiful portrait.  By using reflectors instead of strobe lights I can see the light and have my assistants adjust the reflectors while I’m looking through the lens.  After all, even the best strobe lights can never match the quality of Mother Nature’s sun.<img class="alignleft  wp-image-2800" title="Lexi Brown seniorr portraits" src="http://danaltickphoto.com/wp-content/uploads/2012/09/altick_120909_2117-600x400.jpg" alt="" width="346" height="230" /> Having an assistant feather the light ever so subtly across the face while lowering the reflector just enough to get those catch lights somewhere between the 2 o’clock and 10 o’clock positions is the key to creating that perfect lighting that makes the eye’s pop and the skin just glow.  I usually look for something to block the overhead light, such as a tree branch or front porch, and I always try to keep the sun behind the subject while reflecting it back into the face.  That back light creates a beautiful hair light too that separates the subject from the background and makes them truly stand out.  I have my assistants bounce the light back into the face from the sun using reflectors at just the right feathering.  My reflectors are nice collapsible ones, but did you know you can actually make your own out of tin foil or even a large white sheet; after all, we’re just trying to control the light.  Pretty simple huh?  Of course it also helps to understand posing and composition.  All the elements must come together to create that portrait that has a life of its own.  I shoot nearly all of my outdoor portraits with a long very<br />
<img class="alignright  wp-image-2334" title="Anisa Rahaman junior spokes model portraits" src="http://danaltickphoto.com/wp-content/uploads/2012/05/altick_120512_0990-600x400.jpg" alt="" width="360" height="240" /> high-quality telephoto lens set at its widest aperture.  This way the background falls out of focus quickly and the face is tack sharp.  I then add a little vignette or edge blur in post processing to draw the viewer’s attention to the subject’s face and eyes.  You know even if you don&#8217;t have a long telephoto, if you get the lighting right, it can really make a dramatic improvement.  Try a few of these tips next time you’re out with your friends. You&#8217;ll be glad you did.</p>
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